WFAHM - Voyeur Interview Part 2 (including more infos about our colaboration and some statements about contemporary music [beginning around 8:50]) … enjoy! \m/
Full Album on Bandcamp: [link]
WFAHM - Voyeur Interview Part 1 (including details about the colaboration between WFAHM and me) … enjoy! \m/
Full Album on Bandcamp: [link]
As a young man, I harbored the populist idea of writing for the public. I learned that the public didn’t care. So I decided to write for myself. Since then, people have gotten interested.
“
| — | Elliott Carter |
WFAHM - Voyeur … including my music
The new War From A Harlots Mouth Album will be out on the 19th of October.
It includes some short pieces for Strings composed by me: Origin, Beyond Life And Death, a passage in Catacombae and Epiphany.
“Now ‘Voyeur’ shows War From A Harlots Mouth at their most mature so far and adding new dimension with the aid of classical strings played by composer John Strieder and a guest appearance from Arkadi Zaslawski (Dioramic). Let all conventions be broken!” (Seasons Of Mist)
Listen to the Album on Bandcamp!
Enjoy!
The question of knowing to whom my music is intended for, should not be asked. As in scientific research, we try to solve a problem because of our interest in it; and not for its practical application.
So is the question of whether anyone needs what I’m doing, unimportant. I live here and now and I am unwittingly part of a culture, and what I produce will prevail over time or not. The importance of a work of art in a culture can only be judged after it’s done.
So is the question of whether anyone needs what I’m doing, unimportant. I live here and now and I am unwittingly part of a culture, and what I produce will prevail over time or not. The importance of a work of art in a culture can only be judged after it’s done.
“
| — | György Ligeti |
“quiet, flickering, transcendent”
This piece consist of double natural harmonics only. Scordatura: C-String tuned down to B, G-String tuned down to F sharp. This is the last of four pieces.
On youtube: http://www.youtube.com/watch?v=vKB3MVhi7g4
Score coming soon!
I do not believe in natural laws of sound, but I believe in listening habits caused by cultural traditions that are responsible for how certain chords are valued. (Georg Friedrich Haas)
“
| — | Original: “Ich glaube an kein Naturgesetze des Klanges, sondern ich glaube an durch kulturelle Traditionen bedingte Hörgewohnheiten, die dafür verantwortlich sind, wie bestimmte Zusammenklänge bewertet werden.” |
